Not in the typical horror, horror style you often know in many horror movies, the top 10 best horror works of the 2010s that we will introduce soon will bring a different aftertaste, at the same time, leaving an unforgettable impression in the minds of movie-loving audiences. These 2010s horror films focus more on the unstable psyche of gun-wielding maniacs or supernatural powers. If you are looking to expand your "taste" to enjoy the horror genre or need to impress with your stylish taste, definitely don't miss the list of topshare 2010s horror movies listed in the article! All of the selected 2010s horror films offer audiences a rare entertainment value, you might as well liken them to a glass of wine rather than a bag of sweet popcorn.
1 Under The Skin (2013)
Under The Skin - the best 2010s horror film has a different aftertaste with the audience. Source: syfy.com
2010s horror movie trailer, Under The Skin
The 2010s horror film Under The Skin is a terrifying experience for a number of fundamental reasons. To make the sci-fi horror filmed the way Under the Skin did, you'll be amazed at it. But more specifically, it's done with one of the biggest movie stars in the world at the same time as the main character, which is just too amazing.
Under The Skin follows the man-eating alien played by Scarlett Johansson as she finds prey ready to be lured, then lures them back to her lair. Likewise, her performance and the VFX from the film are enough to make you swoon. But it's Mica Levi's haunting music that makes Under the Skin a nightmare. Director Jonathan Glazer isn't the best of film directors (Under the Skin is the first feature-length project he's released in nearly a decade), but if time is a price for great success, it seems to have responded with a fair trade.
2 The Duke Of Burgundy (2014)
The Duke Of Burgundy - the best 2010s horror film has a different aftertaste with the audience. Source: timeout.com
2010s horror movie trailer, The Duke Of Burgundy
The fact that Peter Strickland follows in the footsteps of Berberian Sound Studio, even moving away from all recognizable conventions of the horror genre, still creates a scary feeling. It is very difficult to specify. Many call the 2010s horror film The Duke Of Burgundy a romantic work, others call it a comedy. The horror lies in the look and sound of the film. You will be squeezed by it like a wound is bandaged so tightly that a whisper can startle you.
The Duke Of Burgundy narrates the sad game of two lovers in a country house. However, the role of master-slave quickly turns out to be more complicated than they seem. The Duke Of Burgundy is immediately reminiscent of Italian horror films from the 1970s (famous for its adult themes). But those topics rise to a much deeper level of detail.
3 The Neon Demon (2016)
The Neon Demon - the best 2010s horror film has a different aftertaste with the audience. Source: jacquelineblue.wordpress.com
Trailer 1 of 2010s horror movie, The Neon Demon
Nicolas Winding Refn once quoted: “The main enemy of creativity is safety and good taste”. Believe it or not, this is a pretty consistent rule for his films. Unlike most of the 2010s horror movies on this list, The Neon Demon is all about overvalued and shocking. But those aspects are the subject of the story.
The Neon Demon as the truly modern "successor" of the Suspiria classic from Dario Argento (it outshines Luca Guadagnino's remake). On the surface, it looks like a similar story about a modern-day pseudo-vampire, but the movie's journey actually explores form, sound, and color.
4 We Need To Talk About Kevin (2011)
We Need To Talk About Kevin - the best horror movies of the 2010s with a different aftertaste to the audience. Source: inthemoodformovies.com
2010s horror movie trailer, We Need To Talk About Kevin
Motherhood and pregnancy are not unusual topics to see in a horror movie. The most obvious example is probably Ridley Scott's Alien, but this theme is explored in many ghost stories as well. The 2010s horror film We Need To Talk About Kevin did it differently when it explored postnatal depression and guilt.
Tilda Swinton plays a mother struggling for life due to a crime committed by her young son. We see her go through her memories, painfully thinking about the cause of the boy's behavior, how blameworthy she was for it. However, We Need To Talk About Kevin isn't really about shocking moments. It's more about feeling anxious more often.
5 Nocturnal Animals (2016)
Nocturnal Animals - the best horror movies of the 2010s have a different aftertaste with the audience. Source: mubi.com
2010s horror movie trailer, Nocturnal Animals
Famed fashion designer Tom Ford's directing effort, the 2010s horror film Nocturnal Animals takes an unusual literary approach to cinematic storytelling, and it really paid off. . Nocturnal Animals mainly revolves around the character Amy Adams while reading a book. The world from that novel unfolds like another movie that comes first to the reader.
The horror stems not only from the traditional narrative of violence in the novel's story, but also from the overreactions of Amy Adams' character. Her interpretation of the novel as a harsh personal attack from her ex-husband creates a layer of insecurity. You could call Nocturnal Animals a genre of social thriller. It depicts the fear known as revealing the ugliness within people in an artistic way.
6 Berberian Sound Studio (2012)
Berberian Sound Studio - the best 2010s horror film has a different aftertaste with the audience. Source: mubi.com
2010s horror movie trailer, Berberian Sound Studio
Peter Strickland's 2010 horror film Berberian Sound Studio approaches the subject of mystery, crime from a completely different angle than anyone has ever actually tried before. It follows Toby Jones' light-hearted foley artists as they work on what is conjectured to be a horror movie with beautiful graphics. This makes Berberian Sound Studio quite unique compared to a movie about disgusting violence but does not really own any images.
The horror of the Berberian Sound Studio is conveyed entirely through Jones' experience of the events. He begins to grow weary of both the inherent taciturnity of his surroundings and the brutal courage of selfish producers pretending to be artists, so the poor guy begins to "crash". The horror film's unspoken mantra is that horror always exists in the things we don't see, which seems like supporting evidence, a near absolute explanation for that.
7 The Skin I Live In (2011)
The Skin I Live In - the best 2010s horror film has a different aftertaste with the audience. Source: netflix
2010s horror movie trailer, The Skin I Live In
The 2010s sci-fi thriller The Skin I Live In by Pedro Almodóvar, starring frequent collaborator Antonio Banderas as a mad scientist, the film as yet another adept exploration of gender and sexuality from one of the most famous filmmakers in Spain. The Skin I Live In tells the story of obsession, revenge, passion, and all the gory aspects that make the film so special.
There are few directors in Almodóvar's pedigree that tackle concepts like gender identity in such a direct way, integrating them into the story rather than enthralling audiences with a pre-written speech. The horror comes from the fact that, no matter how scary they seem or how despicable their actions, you will understand that the characters are still human. You feel what's going on with them in this grim final fairy tale involving death and transformation.
8 The Killing Of A Sacred Deer (2017)
The Killing Of A Sacred Deer - the best 2010s horror film has a different aftertaste with the audience. Source: watson.la
2010s horror movie trailer, The Killing Of A Sacred Deer
The typically eerie 2010s horror film, The Killing Of A Sacred Deer by Yorgos Lanthimos follows a boring middle-class doctor Colin Farrell, as he and his family experience the effects of an unknown curse explainable. The basic concept and ethical questions in the film and its title, originate from the works of Euripides written somewhere in the late 5th century BC.
As with other Lanthimos films, there exists a particular kind of dry humor throughout The Killing of a Sacred Deer. You can't help but find it funny, even in the many moments of suffering. It handles the slowness of impending doom in a very universal way that never loses its real emotional impact.
9 Stoker (2013)
Stoker - the best 2010s horror film has a different aftertaste with the audience. Source: framerated.co.uk
2010s horror movie trailer, Stoker
The 2010 English-language horror film by director Park Chan-wook, Stoker (The Burner) is a rather small-scale family work that tells the dark secrets of a well-to-do family. Stoker elegantly combines adult themes in a way only Chan-wook could do, but the real script comes from the famous actor he doesn't appear in the film, Wentworth Miller.
Miller wrote the script for Stoker and its prequel under a pseudonym, trying to make the work stand up to its merits. It's not a typical Hollywood script, and Chan-wook certainly doesn't follow any of the "Hollywood" stereotypes. Through the eyes of his trusted cinematographer, Chung Chung-hoon, Chan-wook's signature style makes Stoker seem like a one-of-a-kind piece of cinema.
10 The Strange Color Of Your Body’s Tears (2013)
The Strange Color Of Your Body's Tears - the best horror movies of the 2010s have a different aftertaste with the audience. Source: reddit.com
2010s horror movie trailer The Strange Color Of Your Body's Tears
The second feature-length film from the director pair Hélène Cattet and Bruno Forzani (though not as exciting as their 2009 debut Amer). The Strange Color Of Your Body's Tears is a suggestion for horror movie addicts. Cattet and Forzani told their story almost entirely through extreme close-ups. It makes this 2010s thriller not only very claustrophobic, but also idiosyncratic.
As you can guess from the title, The Strange Color of Your Body's Tears, like Amer, it's an ode to Italian giallo films. The way Cattet and Forzani filmed the film lends a certain surreal quality to the work. You will have to use your mind to interpret the images in the movie, but you will realize the joy of looking at them.
